Because CDPR has no goddamn idea how to balance exposition and dialogue. What I noticed is that the dialogue in this series falls into one of two camps: only talking about the current scene (every single time in that goddamn monotone that all the actors have), or exposition. But you need to blend the two together for it to work. You supposed to weave exposition into the narrative, not hand the audience a glossary when they walk into the theatre.
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